That reinforced my point,” Kropovinsky says. “Although they trusted my opinion, with visual evidence they saw how it would look in real life.
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“I was sure it wouldn’t.” To help explain why not, Kropovinsky uploaded two photos to Midjourney-one of the client’s desired color scheme, another depicting a rug-and prompted the software to combine them. “He was confident it would work,” he says. When a client came to Kropovinsky with a reference image for a custom rug’s color palette, the designer knew it was not a good fit. Ironically, generative AI can also help convince a client that their vision just isn’t quite right. “It’s tough to say that out loud, but when you’re using that drawing as communication, we need the technology tool to help support our design vision.” “I will admit there are times if somebody doesn’t have a Revit file, we will not use their furniture,” Noble says. The same applies to the kinds of 3D models that manufacturers create for design programs like Revit. “We can spend more time on the design and the design intent and less time tracking down the color and manually inputting it,” she says. “But it’ll take much more time, and of course there’s a human factor that AI doesn’t have.”Ĭarolyn Ames Noble, founder of the Atlanta-based firm Ames Design Collective and former chair of the American Society of Interior Designers, says that having color guides like Coloro or Sherwin-Williams’s color palette integrated into Revit also buys her time. “If the interior designer has enough experience, they can do it by themselves,” he says. With his vector file in Adobe Illustrator, he was able to use Generative Recolor to experiment with various color schemes until he achieved just the right shades. Case in point: Kropovinsky was recently designing a custom wallpaper pattern for a client. “It helps us be more creative because we can concentrate on the current process and deal with it in a short period of time,” says Ukrainian designer Artem Kropovinsky, the founder of New York–based studio Arsight. Let’s start with the obvious: Technology is a time-saver.
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AD PRO spoke with interior designers and color specialists for their insights on when you should trust an algorithm with design decisions and when an old-fashioned human take is the better choice.
The internet, after all, is your kaleidoscope. Whether you are an interior designer, graphic designer, product designer, or even set designer, the implications of these technologies could be huge. And the aptly named Color Moods helps you test how color pairings impact state of mind. Want to build your “dream color” by talking to your computer? Try Sherwin-Williams’s Speaking in Color. Adobe’s Generative Recolor lets you recolor an illustration or pattern using nothing but text prompts. Colormind, for instance, uses deep learning to pick up palettes from photographs, movies, and popular art then helps you generate your own. Stephanie Spornīut what happens when emerging technologies start to meddle with the wildly subjective world of color? That landscape is already shifting as designers explore new tools to change the way they imagine and work with hue. With colorful architectural trim on trend again, could we be in the midst of a Queen Anne revival? When the 2024 colors of the year find their niche in next year’s projects, time will tell. “For my higher-end budget clients, I’m seeing a rise in jewel tones combined with black or accompanying deep colors as a grounding element.” For a recent project, Quarles used the sage-green Lucille wallpaper from his collaboration with Chasing Paper and painted the baseboards, trim, cabinetry, and casings in a complementary burgundy. “Along with the rich and boldly colorful patterns in wallpaper we love to use, for the surrounding baseboards, crown molding, door/window trim clients are open to us using one of the colors in the wallpaper as the paint color of the millwork,” explains the Memphis-based designer David Quarles. Other designers play up contrast for millwork, choosing a color wheel opposite to the hue on the walls. For subtle texture, Fattahi and McNairy suggest coating light fixtures like sconces too. Rose recommends enveloping a space in a singular color-with the same tone on the walls, ceiling, and millwork. But pulling it off well requires a careful design strategy. To achieve the allover effect that maximalist clients crave, colorful millwork is a frequent request.
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